Canto V
¶ 1
She said: the pitying audience melt in tears. Leave a comment on line 1 1
¶ 2
But Fate and Jove had stopp’d the Baron’s ears. Leave a comment on line 2 0
¶ 3
In vain Thalestris with reproach assails, Leave a comment on line 3 0
¶ 4
For who can move when fair Belinda fails? Leave a comment on line 4 0
¶ 5
Not half so fix’d the Trojan could remain, Leave a comment on line 5 0
¶ 6
While Anna begg’d and Dido rag’d in vain. Leave a comment on line 6 0
¶ 7
Then grave Clarissa graceful wav’d her fan; Leave a comment on line 7 0
¶ 8
Silence ensu’d, and thus the nymph began. Leave a comment on line 8 0
¶ 9
“Say why are Beauties prais’d and honour’d most, Leave a comment on line 9 0
¶ 10
The wise man’s passion, and the vain man’s toast? Leave a comment on line 10 0
¶ 11
Why deck’d with all that land and sea afford, Leave a comment on line 11 0
¶ 12
Why Angels call’d, and Angel-like ador’d? Leave a comment on line 12 0
¶ 13
Why round our coaches crowd the white-glov’d Beaux, Leave a comment on line 13 0
¶ 14
Why bows the side-box from its inmost rows; Leave a comment on line 14 0
¶ 15
How vain are all these glories, all our pains, Leave a comment on line 15 2
¶ 16
Unless good sense preserve what beauty gains: Leave a comment on line 16 2
¶ 17
That men may say, when we the front-box grace: Leave a comment on line 17 0
¶ 18
‘Behold the first in virtue as in face!’ Leave a comment on line 18 2
¶ 19
Oh! if to dance all night, and dress all day, Leave a comment on line 19 0
¶ 20
Charm’d the small-pox, or chas’d old-age away; Leave a comment on line 20 0
¶ 21
Who would not scorn what housewife’s cares produce, Leave a comment on line 21 0
¶ 22
Or who would learn one earthly thing of use? Leave a comment on line 22 0
¶ 23
To patch, nay ogle, might become a Saint, Leave a comment on line 23 0
¶ 24
Nor could it sure be such a sin to paint. Leave a comment on line 24 0
¶ 25
But since, alas! frail beauty must decay, Leave a comment on line 25 0
¶ 26
Curl’d or uncurl’d, since Locks will turn to grey; Leave a comment on line 26 0
¶ 27
Since painted, or not painted, all shall fade, Leave a comment on line 27 0
¶ 28
And she who scorns a man, must die a maid; Leave a comment on line 28 0
¶ 29
What then remains but well our pow’r to use, Leave a comment on line 29 0
¶ 30
And keep good-humour still whate’er we lose? Leave a comment on line 30 0
¶ 31
And trust me, dear! good-humour can prevail, Leave a comment on line 31 1
¶ 32
When airs, and flights, and screams, and scolding fail. Leave a comment on line 32 0
¶ 33
Beauties in vain their pretty eyes may roll; Leave a comment on line 33 0
¶ 34
Charms strike the sight, but merit wins the soul.” Leave a comment on line 34 0
¶ 35
So spoke the Dame, but no applause ensu’d; Leave a comment on line 35 0
¶ 36
Belinda frown’d, Thalestris call’d her Prude. Leave a comment on line 36 0
¶ 37
“To arms, to arms!” the fierce Virago cries, Leave a comment on line 37 0
¶ 38
And swift as lightning to the combat flies. Leave a comment on line 38 0
¶ 39
All side in parties, and begin th’ attack; Leave a comment on line 39 0
¶ 40
Fans clap, silks rustle, and tough whalebones crack; Leave a comment on line 40 0
¶ 41
Heroes’ and Heroines’ shouts confus’dly rise, Leave a comment on line 41 0
¶ 42
And bass, and treble voices strike the skies. Leave a comment on line 42 0
¶ 43
No common weapons in their hands are found, Leave a comment on line 43 0
¶ 44
Like Gods they fight, nor dread a mortal wound. Leave a comment on line 44 0
¶ 45
So when bold Homer makes the Gods engage, Leave a comment on line 45 1
¶ 46
And heav’nly breasts with human passions rage; Leave a comment on line 46 0
¶ 47
‘Gainst Pallas, Mars; Latona, Hermes arms; Leave a comment on line 47 0
¶ 48
And all Olympus rings with loud alarms: Leave a comment on line 48 0
¶ 49
Jove’s thunder roars, heav’n trembles all around, Leave a comment on line 49 0
¶ 50
Blue Neptune storms, the bellowing deeps resound: Leave a comment on line 50 0
¶ 51
Earth shakes her nodding tow’rs, the ground gives way. Leave a comment on line 51 0
¶ 52
And the pale ghosts start at the flash of day! Leave a comment on line 52 0
¶ 53
Triumphant Umbriel on a sconce’s height Leave a comment on line 53 0
¶ 54
Clapp’d his glad wings, and sate to view the fight: Leave a comment on line 54 0
¶ 55
Propp’d on the bodkin spears, the Sprites survey Leave a comment on line 55 0
¶ 56
The growing combat, or assist the fray. Leave a comment on line 56 0
¶ 57
While thro’ the press enrag’d Thalestris flies, Leave a comment on line 57 0
¶ 58
And scatters death around from both her eyes, Leave a comment on line 58 0
¶ 59
A Beau and Witling perish’d in the throng, Leave a comment on line 59 0
¶ 60
One died in metaphor, and one in song. Leave a comment on line 60 1
¶ 61
“O cruel nymph! a living death I bear,” Leave a comment on line 61 0
¶ 62
Cry’d Dapperwit, and sunk beside his chair. Leave a comment on line 62 0
¶ 63
A mournful glance Sir Fopling upwards cast, Leave a comment on line 63 0
¶ 64
“Those eyes are made so killing” — was his last. Leave a comment on line 64 0
¶ 65
Thus on Mæander’s flow’ry margin lies Leave a comment on line 65 0
¶ 66
Th’ expiring Swan, and as he sings he dies. Leave a comment on line 66 0
¶ 67
When bold Sir Plume had drawn Clarissa down, Leave a comment on line 67 0
¶ 68
Chloe stepp’d in, and kill’d him with a frown; Leave a comment on line 68 2
¶ 69
She smil’d to see the doughty hero slain, Leave a comment on line 69 0
¶ 70
But, at her smile, the Beau reviv’d again. Leave a comment on line 70 0
¶ 71
Now Jove suspends his golden scales in air, Leave a comment on line 71 0
¶ 72
Weighs the Men’s wits against the Lady’s hair; Leave a comment on line 72 1
¶ 73
The doubtful beam long nods from side to side; Leave a comment on line 73 0
¶ 74
At length the wits mount up, the hairs subside. Leave a comment on line 74 0
¶ 75
See, fierce Belinda on the Baron flies, Leave a comment on line 75 0
¶ 76
With more than usual lightning in her eyes: Leave a comment on line 76 0
¶ 77
Nor fear’d the Chief th’ unequal fight to try, Leave a comment on line 77 0
¶ 78
Who sought no more than on his foe to die. Leave a comment on line 78 0
¶ 79
But this bold Lord with manly strength endu’d, Leave a comment on line 79 1
¶ 80
She with one finger and a thumb subdu’d: Leave a comment on line 80 0
¶ 81
Just where the breath of life his nostrils drew, Leave a comment on line 81 0
¶ 82
A charge of Snuff the wily virgin threw; Leave a comment on line 82 0
¶ 83
The Gnomes direct, to ev’ry atom just, Leave a comment on line 83 0
¶ 84
The pungent grains of titillating dust. Leave a comment on line 84 0
¶ 85
Sudden, with starting tears each eye o’erflows, Leave a comment on line 85 0
¶ 86
And the high dome re-echoes to his nose. Leave a comment on line 86 0
¶ 87
Now meet thy fate, incens’d Belinda cry’d, Leave a comment on line 87 0
¶ 88
And drew a deadly bodkin from her side. Leave a comment on line 88 0
¶ 89
(The same, his ancient personage to deck, Leave a comment on line 89 0
¶ 90
Her great great grandsire wore about his neck, Leave a comment on line 90 0
¶ 91
In three seal-rings; which after, melted down, Leave a comment on line 91 0
¶ 92
Form’d a vast buckle for his widow’s gown: Leave a comment on line 92 0
¶ 93
Her infant grandame’s whistle next it grew, Leave a comment on line 93 0
¶ 94
The bells she jingled, and the whistle blew; Leave a comment on line 94 0
¶ 95
Then in a bodkin grac’d her mother’s hairs, Leave a comment on line 95 0
¶ 96
Which long she wore, and now Belinda wears.) Leave a comment on line 96 0
¶ 97
“Boast not my fall” (he cry’d) “insulting foe! Leave a comment on line 97 0
¶ 98
Thou by some other shalt be laid as low, Leave a comment on line 98 0
¶ 99
Nor think, to die dejects my lofty mind: Leave a comment on line 99 0
¶ 100
All that I dread is leaving you behind! Leave a comment on line 100 0
¶ 101
Rather than so, ah let me still survive, Leave a comment on line 101 0
¶ 102
And burn in Cupid’s flames — but burn alive.” Leave a comment on line 102 0
¶ 103
“Restore the Lock!” she cries; and all around Leave a comment on line 103 0
¶ 104
“Restore the Lock!” the vaulted roofs rebound. Leave a comment on line 104 0
¶ 105
Not fierce Othello in so loud a strain Leave a comment on line 105 0
¶ 106
Roar’d for the handkerchief that caus’d his pain. Leave a comment on line 106 0
¶ 107
But see how oft ambitious aims are cross’d, Leave a comment on line 107 0
¶ 108
And chiefs contend ’till all the prize is lost! Leave a comment on line 108 0
¶ 109
The Lock, obtain’d with guilt, and kept with pain, Leave a comment on line 109 0
¶ 110
In ev’ry place is sought, but sought in vain: Leave a comment on line 110 0
¶ 111
With such a prize no mortal must be blest, Leave a comment on line 111 0
¶ 112
So heav’n decrees! with heav’n who can contest? Leave a comment on line 112 0
¶ 113
Some thought it mounted to the Lunar sphere, Leave a comment on line 113 0
¶ 114
Since all things lost on earth are treasur’d there. Leave a comment on line 114 0
¶ 115
There Hero’s wits are kept in pond’rous vases, Leave a comment on line 115 0
¶ 116
And beau’s in snuff-boxes and tweezer-cases. Leave a comment on line 116 0
¶ 117
There broken vows and death-bed alms are found, Leave a comment on line 117 0
¶ 118
And lovers’ hearts with ends of riband bound, Leave a comment on line 118 0
¶ 119
The courtier’s promises, and sick man’s pray’rs, Leave a comment on line 119 0
¶ 120
The smiles of harlots, and the tears of heirs, Leave a comment on line 120 0
¶ 121
Cages for gnats, and chains to yoke a flea, Leave a comment on line 121 0
¶ 122
Dry’d butterflies, and tomes of casuistry. Leave a comment on line 122 0
¶ 123
But trust the Muse — she saw it upward rise, Leave a comment on line 123 0
¶ 124
Tho’ mark’d by none but quick, poetic eyes: Leave a comment on line 124 0
¶ 125
(So Rome’s great founder to the heav’ns withdrew, Leave a comment on line 125 0
¶ 126
To Proculus alone confess’d in view) Leave a comment on line 126 0
¶ 127
A sudden Star, it shot thro’ liquid air, Leave a comment on line 127 0
¶ 128
And drew behind a radiant trail of hair. Leave a comment on line 128 0
¶ 129
Not Berenice’s Locks first rose so bright, Leave a comment on line 129 0
¶ 130
The heav’ns bespangling with dishevell’d light. Leave a comment on line 130 0
¶ 131
The Sylphs behold it kindling as it flies, Leave a comment on line 131 0
¶ 132
And pleas’d pursue its progress thro’ the skies. Leave a comment on line 132 0
¶ 133
This the Beau monde shall from the Mall survey, Leave a comment on line 133 0
¶ 134
And hail with music its propitious ray. Leave a comment on line 134 0
¶ 135
This the blest Lover shall for Venus take, Leave a comment on line 135 0
¶ 136
And send up vows from Rosamonda’s lake. Leave a comment on line 136 0
¶ 137
This Partridge soon shall view in cloudless skies, Leave a comment on line 137 0
¶ 138
When next he looks thro’ Galileo’s eyes; Leave a comment on line 138 0
¶ 139
And hence th’ egregious wizard shall foredoom Leave a comment on line 139 0
¶ 140
The fate of Louis, and the fall of Rome. Leave a comment on line 140 0
¶ 141
Then cease, bright Nymph! to mourn thy ravish’d hair, Leave a comment on line 141 2
¶ 142
Which adds new glory to the shining sphere! Leave a comment on line 142 1
¶ 143
Not all the tresses that fair head can boast, Leave a comment on line 143 0
¶ 144
Shall draw such envy as the Lock you lost. Leave a comment on line 144 0
¶ 145
For, after all the murders of your eye, Leave a comment on line 145 0
¶ 146
When, after millions slain, yourself shall die: Leave a comment on line 146 0
¶ 147
When those fair suns shall set, as set they must, Leave a comment on line 147 1
¶ 148
And all those tresses shall be laid in dust, Leave a comment on line 148 0
¶ 149
This Lock, the Muse shall consecrate to fame, Leave a comment on line 149 1
¶ 150
And ’midst the stars inscribe Belinda’s name. Leave a comment on line 150 0
Linking connects this mock‑battle to earlier epic parodies in the poem, that being the the ombre game and the sylphs’ military organization. By linking these scenes, you show how Pope builds a pattern: every “conflict” in the poem is inflated to epic scale, revealing the emptiness of aristocratic drama. This annotation demonstrates how the poem’s structure reinforces its satire of social institutions that treat trivial disputes as monumental.