Canto IV
¶ 1
But anxious cares the pensive nymph oppress’d, Leave a comment on line 1 2
¶ 2
And secret passions labour’d in her breast. Leave a comment on line 2 0
¶ 3
Not youthful kings in battle seiz’d alive, Leave a comment on line 3 0
¶ 4
Not scornful virgins who their charms survive, Leave a comment on line 4 1
¶ 5
Not ardent lovers robb’d of all their bliss, Leave a comment on line 5 0
¶ 6
Not ancient ladies when refus’d a kiss, Leave a comment on line 6 0
¶ 7
Not tyrants fierce that unrepenting die, Leave a comment on line 7 0
¶ 8
Not Cynthia when her manteau’s pinn’d awry, Leave a comment on line 8 0
¶ 9
E’er felt such rage, resentment, and despair, Leave a comment on line 9 0
¶ 10
As thou, sad Virgin! for thy ravish’d Hair. Leave a comment on line 10 1
¶ 11
For, that sad moment, when the Sylphs withdrew Leave a comment on line 11 0
¶ 12
And Ariel weeping from Belinda flew, Leave a comment on line 12 0
¶ 13
Umbriel, a dusky, melancholy sprite, Leave a comment on line 13 0
¶ 14
As ever sully’d the fair face of light, Leave a comment on line 14 0
¶ 15
Down to the central earth, his proper scene, Leave a comment on line 15 0
¶ 16
Repair’d to search the gloomy Cave of Spleen. Leave a comment on line 16 2
¶ 17
Swift on his sooty pinions flits the Gnome, Leave a comment on line 17 0
¶ 18
And in a vapour reach’d the dismal dome. Leave a comment on line 18 0
¶ 19
No cheerful breeze this sullen region knows, Leave a comment on line 19 0
¶ 20
The dreaded East is all the wind that blows. Leave a comment on line 20 0
¶ 21
Here in a grotto, shelter’d close from air, Leave a comment on line 21 1
¶ 22
And screen’d in shades from day’s detested glare, Leave a comment on line 22 0
¶ 23
She sighs for ever on her pensive bed, Leave a comment on line 23 0
¶ 24
Pain at her side, and Megrim at her head. Leave a comment on line 24 0
¶ 25
Two handmaids wait the throne: alike in place, Leave a comment on line 25 0
¶ 26
But diff’ring far in figure and in face. Leave a comment on line 26 0
¶ 27
Here stood Ill-nature like an ancient maid, Leave a comment on line 27 0
¶ 28
Her wrinkled form in black and white array’d; Leave a comment on line 28 0
¶ 29
With store of pray’rs, for mornings, nights, and noons, Leave a comment on line 29 0
¶ 30
Her hand is fill’d; her bosom with lampoons. Leave a comment on line 30 0
¶ 31
There Affectation, with a sickly mien, Leave a comment on line 31 0
¶ 32
Shows in her cheek the roses of eighteen, Leave a comment on line 32 0
¶ 33
Practis’d to lisp, and hang the head aside. Leave a comment on line 33 0
¶ 34
Faints into airs, and languishes with pride, Leave a comment on line 34 0
¶ 35
On the rich quilt sinks with becoming woe, Leave a comment on line 35 1
¶ 36
Wrapt in a gown, for sickness, and for show. Leave a comment on line 36 1
¶ 37
The fair ones feel such maladies as these, Leave a comment on line 37 0
¶ 38
When each new night-dress gives a new disease. Leave a comment on line 38 2
¶ 39
A constant Vapour o’er the palace flies; Leave a comment on line 39 0
¶ 40
Strange phantoms rising as the mists arise; Leave a comment on line 40 0
¶ 41
Dreadful, as hermit’s dreams in haunted shades, Leave a comment on line 41 0
¶ 42
Or bright, as visions of expiring maids. Leave a comment on line 42 0
¶ 43
Now glaring fiends, and snakes on rolling spires, Leave a comment on line 43 0
¶ 44
Pale spectres, gaping tombs, and purple fires: Leave a comment on line 44 0
¶ 45
Now lakes of liquid gold, Elysian scenes, Leave a comment on line 45 0
¶ 46
And crystal domes, and angels in machines. Leave a comment on line 46 0
¶ 47
Unnumber’d throngs on every side are seen, Leave a comment on line 47 0
¶ 48
Of bodies chang’d to various forms by Spleen. Leave a comment on line 48 0
¶ 49
Here living Tea-pots stand, one arm held out, Leave a comment on line 49 0
¶ 50
One bent; the handle this, and that the spout: Leave a comment on line 50 0
¶ 51
A Pipkin there, like Homer’s Tripod walks; Leave a comment on line 51 0
¶ 52
Here sighs a Jar, and there a Goose-pie talks; Leave a comment on line 52 0
¶ 53
Men prove with child, as pow’rful fancy works, Leave a comment on line 53 0
¶ 54
And maids turn’d bottles, call aloud for corks. Leave a comment on line 54 0
¶ 55
Safe past the Gnome thro’ this fantastic band, Leave a comment on line 55 0
¶ 56
A branch of healing Spleenwort in his hand. Leave a comment on line 56 0
¶ 57
Then thus address’d the pow’r: “Hail, wayward Queen! Leave a comment on line 57 0
¶ 58
Who rule the sex to fifty from fifteen: Leave a comment on line 58 0
¶ 59
Parent of vapours and of female wit, Leave a comment on line 59 0
¶ 60
Who give th’ hysteric, or poetic fit, Leave a comment on line 60 0
¶ 61
On various tempers act by various ways, Leave a comment on line 61 0
¶ 62
Make some take physic, others scribble plays; Leave a comment on line 62 0
¶ 63
Who cause the proud their visits to delay, Leave a comment on line 63 0
¶ 64
And send the godly in a pet to pray. Leave a comment on line 64 1
¶ 65
A nymph there is, that all thy pow’r disdains, Leave a comment on line 65 0
¶ 66
And thousands more in equal mirth maintains. Leave a comment on line 66 0
¶ 67
But oh! if e’er thy Gnome could spoil a grace, Leave a comment on line 67 0
¶ 68
Or raise a pimple on a beauteous face, Leave a comment on line 68 1
¶ 69
Like Citron-waters matrons cheeks inflame, Leave a comment on line 69 0
¶ 70
Or change complexions at a losing game; Leave a comment on line 70 0
¶ 71
If e’er with airy horns I planted heads, Leave a comment on line 71 0
¶ 72
Or rumpled petticoats, or tumbled beds, Leave a comment on line 72 0
¶ 73
Or caus’d suspicion when no soul was rude, Leave a comment on line 73 0
¶ 74
Or discompos’d the head-dress of a Prude, Leave a comment on line 74 1
¶ 75
Or e’er to costive lap-dog gave disease, Leave a comment on line 75 0
¶ 76
Which not the tears of brightest eyes could ease: Leave a comment on line 76 0
¶ 77
Hear me, and touch Belinda with chagrin, Leave a comment on line 77 0
¶ 78
That single act gives half the world the spleen.” Leave a comment on line 78 1
¶ 79
The Goddess with a discontented air Leave a comment on line 79 0
¶ 80
Seems to reject him, tho’ she grants his pray’r. Leave a comment on line 80 0
¶ 81
A wond’rous Bag with both her hands she binds, Leave a comment on line 81 0
¶ 82
Like that where once Ulysses held the winds; Leave a comment on line 82 0
¶ 83
There she collects the force of female lungs, Leave a comment on line 83 1
¶ 84
Sighs, sobs, and passions, and the war of tongues. Leave a comment on line 84 0
¶ 85
A Vial next she fills with fainting fears, Leave a comment on line 85 0
¶ 86
Soft sorrows, melting griefs, and flowing tears. Leave a comment on line 86 1
¶ 87
The Gnome rejoicing bears her gifts away, Leave a comment on line 87 0
¶ 88
Spreads his black wings, and slowly mounts to day. Leave a comment on line 88 0
¶ 89
Sunk in Thalestris’ arms the nymph he found, Leave a comment on line 89 0
¶ 90
Her eyes dejected and her hair unbound. Leave a comment on line 90 0
¶ 91
Full o’er their heads the swelling bag he rent, Leave a comment on line 91 0
¶ 92
And all the Furies issu’d at the vent. Leave a comment on line 92 0
¶ 93
Belinda burns with more than mortal ire, Leave a comment on line 93 0
¶ 94
And fierce Thalestris fans the rising fire. Leave a comment on line 94 0
¶ 95
“O wretched maid!” she spread her hands, and cry’d, Leave a comment on line 95 0
¶ 96
(While Hampton’s echoes, “Wretched maid!” reply’d) Leave a comment on line 96 0
¶ 97
“Was it for this you took such constant care Leave a comment on line 97 0
¶ 98
The bodkin, comb, and essence to prepare? Leave a comment on line 98 0
¶ 99
For this your locks in paper durance bound, Leave a comment on line 99 0
¶ 100
For this with tort’ring irons wreath’d around? Leave a comment on line 100 0
¶ 101
For this with fillets strain’d your tender head, Leave a comment on line 101 0
¶ 102
And bravely bore the double loads of lead? Leave a comment on line 102 0
¶ 103
Gods! shall the ravisher display your hair, Leave a comment on line 103 0
¶ 104
While the Fops envy, and the Ladies stare! Leave a comment on line 104 0
¶ 105
Honour forbid! at whose unrivall’d shrine Leave a comment on line 105 0
¶ 106
Ease, pleasure, virtue, all our sex resign. Leave a comment on line 106 0
¶ 107
Methinks already I your tears survey, Leave a comment on line 107 0
¶ 108
Already hear the horrid things they say, Leave a comment on line 108 0
¶ 109
Already see you a degraded toast, Leave a comment on line 109 0
¶ 110
And all your honour in a whisper lost! Leave a comment on line 110 2
¶ 111
How shall I, then, your helpless fame defend? Leave a comment on line 111 0
¶ 112
’Twill then be infamy to seem your friend! Leave a comment on line 112 0
¶ 113
And shall this prize, th’ inestimable prize, Leave a comment on line 113 0
¶ 114
Expos’d thro’ crystal to the gazing eyes, Leave a comment on line 114 0
¶ 115
And heighten’d by the diamond’s circling rays, Leave a comment on line 115 0
¶ 116
On that rapacious hand for ever blaze? Leave a comment on line 116 0
¶ 117
Sooner shall grass in Hyde-park Circus grow, Leave a comment on line 117 0
¶ 118
And wits take lodgings in the sound of Bow; Leave a comment on line 118 0
¶ 119
Sooner let earth, air, sea, to Chaos fall, Leave a comment on line 119 0
¶ 120
Men, monkeys, lap-dogs, parrots, perish all!” Leave a comment on line 120 0
¶ 121
She said; then raging to Sir Plume repairs, Leave a comment on line 121 1
¶ 122
And bids her Beau demand the precious hairs; Leave a comment on line 122 1
¶ 123
(Sir Plume of amber snuff-box justly vain, Leave a comment on line 123 0
¶ 124
And the nice conduct of a clouded cane) Leave a comment on line 124 0
¶ 125
With earnest eyes, and round unthinking face, Leave a comment on line 125 0
¶ 126
He first the snuff-box open’d, then the case, Leave a comment on line 126 0
¶ 127
And thus broke out — “My Lord, why, what the devil? Leave a comment on line 127 0
¶ 128
“Z — ds! damn the lock! ‘fore Gad, you must be civil! Leave a comment on line 128 0
¶ 129
Plague on’t! ’tis past a jest — nay prithee, pox! Leave a comment on line 129 0
¶ 130
Give her the hair” — he spoke, and rapp’d his box. Leave a comment on line 130 0
¶ 131
“It grieves me much” (reply’d the Peer again) Leave a comment on line 131 0
¶ 132
“Who speaks so well should ever speak in vain. Leave a comment on line 132 0
¶ 133
But by this Lock, this sacred Lock I swear, Leave a comment on line 133 0
¶ 134
(Which never more shall join its parted hair; Leave a comment on line 134 0
¶ 135
Which never more its honours shall renew, Leave a comment on line 135 0
¶ 136
Clipp’d from the lovely head where late it grew) Leave a comment on line 136 0
¶ 137
That while my nostrils draw the vital air, Leave a comment on line 137 0
¶ 138
This hand, which won it, shall for ever wear.” Leave a comment on line 138 0
¶ 139
He spoke, and speaking, in proud triumph spread Leave a comment on line 139 0
¶ 140
The long-contended honours of her head. Leave a comment on line 140 0
¶ 141
But Umbriel, hateful Gnome! forbears not so; Leave a comment on line 141 0
¶ 142
He breaks the Vial whence the sorrows flow. Leave a comment on line 142 0
¶ 143
Then see! the nymph in beauteous grief appears, Leave a comment on line 143 0
¶ 144
Her eyes half-languishing, half-drown’d in tears; Leave a comment on line 144 0
¶ 145
On her heav’d bosom hung her drooping head, Leave a comment on line 145 0
¶ 146
Which, with a sigh, she rais’d; and thus she said. Leave a comment on line 146 0
¶ 147
“For ever curs’d be this detested day, Leave a comment on line 147 0
¶ 148
Which snatch’d my best, my fav’rite curl away! Leave a comment on line 148 1
¶ 149
Happy! ah ten times happy had I been, Leave a comment on line 149 0
¶ 150
If Hampton-Court these eyes had never seen! Leave a comment on line 150 0
¶ 151
Yet am not I the first mistaken maid, Leave a comment on line 151 0
¶ 152
By love of Courts to num’rous ills betray’d. Leave a comment on line 152 0
¶ 153
Oh had I rather un-admir’d remain’d Leave a comment on line 153 0
¶ 154
In some lone isle, or distant Northern land; Leave a comment on line 154 0
¶ 155
Where the gilt Chariot never marks the way, Leave a comment on line 155 0
¶ 156
Where none learn Ombre, none e’er taste Bohea! Leave a comment on line 156 0
¶ 157
There kept my charms conceal’d from mortal eye, Leave a comment on line 157 0
¶ 158
Like roses, that in deserts bloom and die. Leave a comment on line 158 0
¶ 159
What mov’d my mind with youthful Lords to roam? Leave a comment on line 159 0
¶ 160
Oh had I stay’d, and said my pray’rs at home! Leave a comment on line 160 0
¶ 161
’Twas this, the morning omens seem’d to tell, Leave a comment on line 161 0
¶ 162
Thrice from my trembling hand the patch-box fell; Leave a comment on line 162 0
¶ 163
The tott’ring China shook without a wind. Leave a comment on line 163 0
¶ 164
Nay, Poll sat mute, and Shock was most unkind! Leave a comment on line 164 0
¶ 165
A Sylph too warn’d me of the threats of fate, Leave a comment on line 165 0
¶ 166
In mystic visions, now believ’d too late! Leave a comment on line 166 0
¶ 167
See the poor remnants of these slighted hairs! Leave a comment on line 167 0
¶ 168
My hands shall rend what ev’n thy rapine spares: Leave a comment on line 168 0
¶ 169
These in two sable ringlets taught to break, Leave a comment on line 169 0
¶ 170
Once gave new beauties to the snowy neck; Leave a comment on line 170 0
¶ 171
The sister-lock now sits uncouth, alone, Leave a comment on line 171 0
¶ 172
And in its fellow’s fate foresees its own; Leave a comment on line 172 0
¶ 173
Uncurl’d it hangs, the fatal shears demands, Leave a comment on line 173 0
¶ 174
And tempts once more thy sacrilegious hands. Leave a comment on line 174 0
¶ 175
Oh hadst thou, cruel! been content to seize Leave a comment on line 175 0
¶ 176
Hairs less in sight, or any hairs but these!” Leave a comment on line 176 1
Lines 1-10
In lines 1-10 Pope gives a list of serious suffering people have experienced, including people that were captured in battle and dying tyrants. Again Pope is comparing Belinda’s reaction to her hair to serious extreme situations that makes her reaction not seem as valid is it is to heard. Exaggerating her “smaller” problem to serious life situations it makes the readers really realize how much Belinda’s problem is so small.
Musing lets you speculate on the symbolic meaning of the Cave of Spleen. Pope’s grotesque imagery suggests that emotional turmoil—especially for women in polite society—is treated as both spectacle and pathology. You can muse on how the Cave externalizes internal states, turning anxiety, frustration, and melancholy into physical monsters. This moment invites reflection on how communities police emotional expression, especially among women.