Canto II
¶ 1
Not with more glories, in th’ etherial plain, Leave a comment on line 1 2
¶ 2
The Sun first rises o’er the purpled main, Leave a comment on line 2 0
¶ 3
Than, issuing forth, the rival of his beams Leave a comment on line 3 0
¶ 4
Launch’d on the bosom of the silver Thames. Leave a comment on line 4 0
¶ 5
Fair Nymphs, and well-drest Youths around her shone. Leave a comment on line 5 1
¶ 6
But ev’ry eye was fix’d on her alone. Leave a comment on line 6 0
¶ 7
On her white breast a sparkling Cross she wore, Leave a comment on line 7 1
¶ 8
Which Jews might kiss, and Infidels adore. Leave a comment on line 8 0
¶ 9
Her lively looks a sprightly mind disclose, Leave a comment on line 9 0
¶ 10
Quick as her eyes, and as unfix’d as those: Leave a comment on line 10 0
¶ 11
Favours to none, to all she smiles extends; Leave a comment on line 11 0
¶ 12
Oft she rejects, but never once offends. Leave a comment on line 12 1
¶ 13
Bright as the sun, her eyes the gazers strike, Leave a comment on line 13 0
¶ 14
And, like the sun, they shine on all alike. Leave a comment on line 14 0
¶ 15
Yet graceful ease, and sweetness void of pride, Leave a comment on line 15 1
¶ 16
Might hide her faults, if Belles had faults to hide: Leave a comment on line 16 1
¶ 17
If to her share some female errors fall, Leave a comment on line 17 0
¶ 18
Look on her face, and you’ll forget ’em all. Leave a comment on line 18 0
¶ 19
This Nymph, to the destruction of mankind, Leave a comment on line 19 0
¶ 20
Nourish’d two Locks, which graceful hung behind Leave a comment on line 20 0
¶ 21
In equal curls, and well conspir’d to deck Leave a comment on line 21 1
¶ 22
With shining ringlets the smooth iv’ry neck. Leave a comment on line 22 0
¶ 23
Love in these labyrinths his slaves detains, Leave a comment on line 23 1
¶ 24
And mighty hearts are held in slender chains. Leave a comment on line 24 2
¶ 25
With hairy springes we the birds betray, Leave a comment on line 25 0
¶ 26
Slight lines of hair surprise the finny prey, Leave a comment on line 26 0
¶ 27
Fair tresses man’s imperial race ensnare, Leave a comment on line 27 0
¶ 28
And beauty draws us with a single hair. Leave a comment on line 28 2
¶ 29
Th’ advent’rous Baron the bright locks admir’d; Leave a comment on line 29 0
¶ 30
He saw, he wish’d, and to the prize aspir’d. Leave a comment on line 30 0
¶ 31
Resolv’d to win, he meditates the way, Leave a comment on line 31 0
¶ 32
By force to ravish, or by fraud betray; Leave a comment on line 32 1
¶ 33
For when success a Lover’s toil attends, Leave a comment on line 33 0
¶ 34
Few ask, if fraud or force attain’d his ends. Leave a comment on line 34 1
¶ 35
For this, ere Phœbus rose, he had implor’d Leave a comment on line 35 0
¶ 36
Propitious heav’n, and ev’ry pow’r ador’d, Leave a comment on line 36 0
¶ 37
But chiefly Love — to Love an Altar built, Leave a comment on line 37 0
¶ 38
Of twelve vast French Romances, neatly gilt. Leave a comment on line 38 0
¶ 39
There lay three garters, half a pair of gloves; Leave a comment on line 39 0
¶ 40
And all the trophies of his former loves; Leave a comment on line 40 0
¶ 41
With tender Billet-doux he lights the pyre, Leave a comment on line 41 1
¶ 42
And breathes three am’rous sighs to raise the fire. Leave a comment on line 42 0
¶ 43
Then prostrate falls, and begs with ardent eyes Leave a comment on line 43 0
¶ 44
Soon to obtain, and long possess the prize: Leave a comment on line 44 0
¶ 45
The pow’rs gave ear, and granted half his pray’r, Leave a comment on line 45 0
¶ 46
The rest, the winds dispers’d in empty air. Leave a comment on line 46 0
¶ 47
But now secure the painted vessel glides, Leave a comment on line 47 0
¶ 48
The sun-beams trembling on the floating tides: Leave a comment on line 48 1
¶ 49
While melting music steals upon the sky, Leave a comment on line 49 0
¶ 50
And soften’d sounds along the waters die; Leave a comment on line 50 0
¶ 51
Smooth flow the waves, the Zephyrs gently play, Leave a comment on line 51 0
¶ 52
Belinda smil’d, and all the world was gay. Leave a comment on line 52 0
¶ 53
All but the Sylph — with careful thoughts opprest, Leave a comment on line 53 0
¶ 54
Th’ impending woe sat heavy on his breast. Leave a comment on line 54 0
¶ 55
He summons strait his Denizens of air; Leave a comment on line 55 0
¶ 56
The lucid squadrons round the sails repair: Leave a comment on line 56 0
¶ 57
Soft o’er the shrouds aërial whispers breathe, Leave a comment on line 57 0
¶ 58
That seem’d but Zephyrs to the train beneath. Leave a comment on line 58 0
¶ 59
Some to the sun their insect-wings unfold, Leave a comment on line 59 0
¶ 60
Waft on the breeze, or sink in clouds of gold; Leave a comment on line 60 0
¶ 61
Transparent forms, too fine for mortal sight, Leave a comment on line 61 0
¶ 62
Their fluid bodies half dissolv’d in light, Leave a comment on line 62 0
¶ 63
Loose to the wind their airy garments flew, Leave a comment on line 63 0
¶ 64
Thin glitt’ring textures of the filmy dew, Leave a comment on line 64 0
¶ 65
Dipt in the richest tincture of the skies, Leave a comment on line 65 0
¶ 66
Where light disports in ever-mingling dyes, Leave a comment on line 66 0
¶ 67
While ev’ry beam new transient colours flings, Leave a comment on line 67 0
¶ 68
Colours that change whene’er they wave their wings. Leave a comment on line 68 0
¶ 69
Amid the circle, on the gilded mast, Leave a comment on line 69 0
¶ 70
Superior by the head, was Ariel plac’d; Leave a comment on line 70 0
¶ 71
His purple pinions op’ning to the sun, Leave a comment on line 71 0
¶ 72
He rais’d his azure wand, and thus begun. Leave a comment on line 72 0
¶ 73
Ye Sylphs and Sylphids, to your chief give ear! Leave a comment on line 73 0
¶ 74
Fays, Fairies, Genii, Elves, and Dæmons, hear! Leave a comment on line 74 0
¶ 75
Ye know the spheres and various tasks assign’d Leave a comment on line 75 0
¶ 76
By laws eternal to th’ aërial kind. Leave a comment on line 76 0
¶ 77
Some in the fields of purest Æther play, Leave a comment on line 77 0
¶ 78
And bask and whiten in the blaze of day. Leave a comment on line 78 0
¶ 79
Some guide the course of wand’ring orbs on high, Leave a comment on line 79 0
¶ 80
Or roll the planets thro’ the boundless sky. Leave a comment on line 80 0
¶ 81
Some less refin’d, beneath the moon’s pale light Leave a comment on line 81 0
¶ 82
Pursue the stars that shoot athwart the night, Leave a comment on line 82 0
¶ 83
Or suck the mists in grosser air below, Leave a comment on line 83 0
¶ 84
Or dip their pinions in the painted bow, Leave a comment on line 84 0
¶ 85
Or brew fierce tempests on the wintry main, Leave a comment on line 85 0
¶ 86
Or o’er the glebe distil the kindly rain. Leave a comment on line 86 0
¶ 87
Others on earth o’er human race preside, Leave a comment on line 87 0
¶ 88
Watch all their ways, and all their actions guide: Leave a comment on line 88 0
¶ 89
Of these the chief the care of Nations own, Leave a comment on line 89 0
¶ 90
And guard with Arms divine the British Throne. Leave a comment on line 90 0
¶ 91
Our humbler province is to tend the Fair, Leave a comment on line 91 0
¶ 92
Not a less pleasing, tho’ less glorious care; Leave a comment on line 92 0
¶ 93
To save the powder from too rude a gale, Leave a comment on line 93 0
¶ 94
Nor let th’ imprison’d-essences exhale; Leave a comment on line 94 0
¶ 95
To draw fresh colours from the vernal flow’rs; Leave a comment on line 95 0
¶ 96
To steal from rainbows e’er they drop in show’rs Leave a comment on line 96 1
¶ 97
A brighter wash; to curl their waving hairs, Leave a comment on line 97 0
¶ 98
Assist their blushes, and inspire their airs; Leave a comment on line 98 0
¶ 99
Nay oft, in dreams, invention we bestow, Leave a comment on line 99 0
¶ 100
To change a Flounce, or add a Furbelow. Leave a comment on line 100 0
¶ 101
This day, black Omens threat the brightest Fair, Leave a comment on line 101 0
¶ 102
That e’er deserv’d a watchful spirit’s care; Leave a comment on line 102 0
¶ 103
Some dire disaster, or by force, or slight; Leave a comment on line 103 0
¶ 104
But what, or where, the fates have wrapt in night. Leave a comment on line 104 0
¶ 105
Whether the nymph shall break Diana’s law, Leave a comment on line 105 0
¶ 106
Or some frail China jar receive a flaw; Leave a comment on line 106 0
¶ 107
Or stain her honour or her new brocade; Leave a comment on line 107 0
¶ 108
Forget her pray’rs, or miss a masquerade; Leave a comment on line 108 1
¶ 109
Or lose her heart, or necklace, at a ball; Leave a comment on line 109 0
¶ 110
Or whether Heav’n has doom’d that Shock must fall. Leave a comment on line 110 1
¶ 111
Haste, then, ye spirits! to your charge repair: Leave a comment on line 111 0
¶ 112
The flutt’ring fan be Zephyretta’s care; Leave a comment on line 112 0
¶ 113
The drops to thee, Brillante, we consign; Leave a comment on line 113 0
¶ 114
And, Momentilla, let the watch be thine; Leave a comment on line 114 0
¶ 115
Do thou, Crispissa, tend her fav’rite Lock; Leave a comment on line 115 1
¶ 116
Ariel himself shall be the guard of Shock. Leave a comment on line 116 0
¶ 117
To fifty chosen Sylphs, of special note, Leave a comment on line 117 1
¶ 118
We trust th’ important charge, the Petticoat: Leave a comment on line 118 1
¶ 119
Oft have we known that seven-fold fence to fail, Leave a comment on line 119 0
¶ 120
Tho’ stiff with hoops, and arm’d with ribs of whale; Leave a comment on line 120 0
¶ 121
Form a strong line about the silver bound, Leave a comment on line 121 0
¶ 122
And guard the wide circumference around. Leave a comment on line 122 0
¶ 123
Whatever spirit, careless of his charge, Leave a comment on line 123 0
¶ 124
His post neglects, or leaves the fair at large, Leave a comment on line 124 0
¶ 125
Shall feel sharp vengeance soon o’ertake his sins, Leave a comment on line 125 0
¶ 126
Be stopp’d in vials, or transfix’d with pins; Leave a comment on line 126 2
¶ 127
Or plung’d in lakes of bitter washes lie, Leave a comment on line 127 0
¶ 128
Or wedg’d whole ages in a bodkin’s eye: Leave a comment on line 128 0
¶ 129
Gums and Pomatums shall his flight restrain, Leave a comment on line 129 0
¶ 130
While clogg’d he beats his silken wings in vain; Leave a comment on line 130 0
¶ 131
Or Alum styptics with contracting pow’r Leave a comment on line 131 0
¶ 132
Shrink his thin essence like a rivel’d flow’r: Leave a comment on line 132 0
¶ 133
Or, as Ixion fix’d, the wretch shall feel Leave a comment on line 133 0
¶ 134
The giddy motion of the whirling Mill, Leave a comment on line 134 0
¶ 135
In fumes of burning Chocolate shall glow, Leave a comment on line 135 0
¶ 136
And tremble at the sea that froths below! Leave a comment on line 136 0
¶ 137
He spoke; the spirits from the sails descend; Leave a comment on line 137 1
¶ 138
Some, orb in orb, around the nymph extend; Leave a comment on line 138 0
¶ 139
Some thrid the mazy ringlets of her hair; Leave a comment on line 139 0
¶ 140
Some hang upon the pendants of her ear: Leave a comment on line 140 0
¶ 141
With beating hearts the dire event they wait, Leave a comment on line 141 0
¶ 142
Anxious, and trembling for the birth of Fate. Leave a comment on line 142 0
Pope compares Belinda to sun. From what I am understanding, Pope is making Belinda seem “powerful and important” just like how the sun important for nature. Him comparing her to the sun is a large exaggeration. Belinda is just a person and the way he is depicting and describing her beauty is very extreme almost to the point where it is a little bit to dramatic. There is this pattern throughout the poem where she is being treating incredibly important when she in the grand scope of things isn’t the most important person ever.
Contextualizing this moment means situating Pope’s imagery within early‑18th‑century London culture, where aristocratic women were both admired and scrutinized in public spaces. Pope’s comparison of Belinda to the sun reflects the period’s fascination with spectacle and display, but it also reveals his own positionality as a satirist critiquing the rituals of polite society. For a modern reader (including me), this scene resonates with contemporary conversations about performance, visibility, and the pressures placed on women in public life — showing how the poem’s social commentary extends beyond its historical moment.